Badder in relative, but that’s all we got. The word for the past 6 months is “incremental”. It has incrementally warmed here in the northeast of the U.S. We had a historic stretch of bitter cold, dry cold, occasional winter precip, and it just. would. not. end. I know that last Memorial Day (informal harbinger of summer) it was 52F and spitting rain. This year it was marginally warmer, but still cold and a little wet. That’s it for my weather recap. Weather. Better than having no weather at all.
My exploits with my band fuchsprellen have been likewise, incremental. We had a pair of shows in early May. The first was at Best Video in Hamden, CT, a reprise of the quartet from the previous gigs: Me on Animoog synth; Peter Riccio on drums; Richard Brown on sax and guitar; Steve Chillemi on soprano sax and percussion. That is a really fun lineup. Everyone gets the basic concept and can play with power while listening to the ensemble and still controlling their volume. I’ll have a link to the audio soon, but suffice it to say it was a good time. My memory is of looking up after 15 minutes and we had not lost any of our audience. Great feeling.
The second gig was the result of a comic string of communication problems. The Outer Space in Hamden, CT was the venue, and the Sunday early slot is the Sunday Jazz slot, booked by Nick DeMaria (trumpeter and all around jazzy impresario). Nick asked me if fuchsprellen could play the Sunday set. I said yes and then had the bright idea to ask Jeff Cedrone to play keys with us. His response: I can’t, I’m playing at the Outer Space with Light Upon Blight! Which is both coincidental and not coincidental since Nick Never said it was all fuchsprellen. The upside is that Peter Riccio plays drums in both bands. In the meanwhile both Steve and Richard begged off the gig. What we ended up with was back to back trio sets with the same lineup, but different concepts and execution. I love this kind of thing and we made the most of it. As with the BV gig, audio links will be forthcoming.
The core of these shows was a very/totally improvised concept and a totally open sonic palette. All three sets had a tendency to get heavy, but they also had a lot of dynamic range and harmonic variety. Tonal, composed, and form-heavy music is everywhere. I love much of it. But I could not be happier than when making something else. Fuchsprellen is decidedly “something else”.